Having them available on a platform like YouTube gives these the audience they deserve, which is why we should watch these underrated gems while we still can. Based on the novel of the same name by F. Batacan, the mystery drama follows two Jesuit priests who take justice into their own hands by investigating the mysterious deaths of young boys from the slums of Payatas, while navigating deep-seated corruption in the government, church and the rich.
It was was brutal fight that went the distance to 14 rounds. Well this is great test match cricket Australia v India cheteshwar1 yorkshiregrit digin 2 terrific teams that have played a great series. Isn't it brilliant that young players like Shubman Gill and Rishabh Pant are drawing people into Test cricket. Opener Gill made a fighting 91, while Pant brought his trademark counter-attacking qualities to the fore. The first match would be held at the iconic Hazza bin Zayed Stadium The hosts ended the day on , with Shadman leading the way with The seven-run win saw the Qalandars notch their fifth victory on the The winning ticket was purchased in January. The other awardee of the Zayed Award for Human Fraternity is the
"Thriller" in Manila
The footage, uploaded onto video-sharing website YouTube , became a viral video. The idea behind the dance came from the prison's chief, Byron F. Garcia first conceived the idea of exercising as an enjoyable way of keeping the prisoners mentally and physically fit. Music was then added to provide additional motivation. The convicts marched and danced to several songs, including " In the Navy " and " Y. Garcia posted the prisoners' dance regimes onto the internet in April
The video achieved viral status after it was uploaded onto the video-sharing platform in , and sparked online debates as to whether this video, containing recorded moving images of allegedly forced dancing, was a form of cruel and inhumane punishment or a novel approach to rehabilitation. The immense popularity of the video inspired creative responses from viewers, and this international popularity caused the CPDRC to host a monthly live dance show held in the prison yard, now in its seventh year. The essay explores how seemingly innocuous products of user-generated-content are imbued with ideologies that obscure or reduce relations of race, agency, power and control. I then investigate the 'mediation' of 'Thriller' through three main issues. One, I examine the commodification and transformation from viral video to a thana-tourist destination; two, the global appeal of 'Thriller' is founded on public penal intrigue and essentialist Filipino tropes, mixed with a certain novelty factor widely suffused in YouTube formats; three, how dance performance and its mediation here are conducive to creating Foucault's docile bodies, which operate as a tool of distraction for the masses and ultimately serve the interests of the state far more than it rehabilitates unconvicted and therefore innocent inmates.